Japanese novelist Haruki Murakami on his introduction to jazz and what it meant to him. (If you’re interested in jazz and post-WWII Japan, check out…
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A few years ago writer Joe Milazzo hipped me to a sort of underground jazz history–That Devilin’ Tune, written by musician Allen Lowe. An impassioned, non-canonical, and smartly written work, it makes the case for many musicians who’ve been left by the wayside on the lost highway of American music. So many jazz histories telescope…
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In lieu of the proverbial time machine that could take us back to 52nd Street circa 1950, or the Plugged Nickel circa 1968, there’s always YouTube. Recently videos of the Lennie Tristano Quintet performing Subconscious-Lee, 317 E. 32nd St., and Background Music at New York City’s Half Note club in 1964 have been posted. This was–if I’m not mistaken–one of the last times that alto saxophonist Lee Konitz performed with Tristano, and tenor great Warne Marsh was there as well.
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Terence Ripmaster has published a new biography of longtime Voice of America jazz DJ Willis Conover. Conover’s broadcasts were heard around the world (though not in America, due to Congressional restrictions) and brought jazz into Eastern bloc countries where…
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