Posted in Shows on May 5th, 2008
Carla Bley is renowned today for her big-band writing and its wide-ranging use of musical and emotional elements, but it was small-group recordings of her work in the 1960s by musicians such as Jimmy Giuffre, Gary Burton, George Russell, and her husband Paul Bley that introduced her to the jazz world. In her teens Bley abandoned home, religion, and school, eventually making her way to New York City, where she worked as a hatcheck and cigarette girl in jazz clubs such as Basin Street and Birdland. She…
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Posted in Jazz Notes on Mar 16th, 2008
Some jazz news of note from the past week or so…
*Mosaic Records has put up information and a discography for their forthcoming Lester Young and Count Basie set. I was told last week that the Benny Goodman Columbia box is on track for an early-summer release.
*Ethan Iverson of The Bad Plus has posted his recent interview with bassist Charlie Haden, which originally appeared in this past January’s Downbeat.
*The widely-syndicated, Siskel-and-Ebert-style radio jazz program Listen Here! will cease distribution at the end of this month. Word is that NPR’s long-running…
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Posted in Jazz Notes on Aug 11th, 2007
Last week I was working on the Night Lights schedule for the rest of the year and ran into what I thought might be a bit of a snag. Show topics are usually plotted well into the future (right now we have programs slated through the end of February 2008), but I’d realized that a certain sequence was going to bring a lot of Thelonious Monk listeners’ way for several weeks in a row. Well, far worse things could happen, right?…
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