Posted in Shows on Oct 6th, 2008
Duke Pearson was a pianist, composer, and arranger who helped craft the sound of many of the Blue Note label’s classic mid-1960s releases. He had a gift for writing quickly and coming up with memorable melodies that could be bright, poignant, or Sidewinder-style funky; several of his compositions, such as “Jeannine” and “Cristo Redentor,” have become jazz standards…
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Posted in Shows on May 12th, 2008
Spirituals were African-American religious folksongs that grew out of the slavery experience and the introduction of Christianity into slaves’ lives. Rooted in African musical tradition as well, they reflected life in a strange and terribly oppressive new world. They were often improvisations upon older hymns that became entirely new songs, and in some ways they foreshadow…
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Posted in Shows on Aug 13th, 2007
Duke Pearson was a pianist, composer, and arranger who helped craft the sound of many of the Blue Note label’s classic mid-1960s releases. He had a gift for writing quickly and coming up with memorable melodies that could be bright, poignant, or Sidewinder-style funky; several of his compositions, such as “Jeannine” and “Cristo Redentor,” have become jazz standards…
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Posted in Shows on Apr 7th, 2007
Spirituals were African-American religious folksongs that grew out of the slavery experience and the introduction of Christianity into slaves’ lives. Rooted in African musical tradition as well, they reflected life in a strange and terribly oppressive new world. They were often improvisations upon older hymns that became entirely new songs, and in some ways they foreshadow…
Continue Reading »
Posted in Shows on Aug 26th, 2006
In 1969 guitarist Grant Green, who had been sidelined for several years by drug problems, returned to Blue Note Records and the jazz scene. The albums he made for Blue Note in this period reflected…
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Posted in Shows on Mar 26th, 2005
Mary Lou Williams, the pianist, arranger, and composer whose career in jazz traced a line all the way from the Kansas City scene of the late 1920s through the swing era, bop, the 1950s jazz expatriate community, and an academic job at Duke in the late 1970s, also helped to pioneer sacred jazz in…
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