Posted in Jazz Notes on Feb 11th, 2008
Historian and Indiana University professor Michael McGerr is a man whose scholarly knowledge and personal enthusiasms are infectiously wedded. In Part 2 of this Night Lights interview, Michael talks about the influence of Duke Ellington’s ambitious Black, Brown and Beige suite and the civil-rights movement on later composers who undertook extended black musical histories as well. Michael is a guest on this week’s show, Suite History: Duke Ellington, Oliver Nelson, John Carter, and the African-American Odyssey…
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Posted in Shows on Feb 4th, 2008
In the early 20th century African-American composers began to write extended musical depictions of black American life–Scott Joplin with his unstaged opera Treemonisha, pianist James P. Johnson with his Yamekraw: a Negro Rhapsody, and–perhaps most successfully–William Grant Still with his Afro-American Symphony in 1931. That same year Duke Ellington told a reporter, “I’m going to compose a musical evolution of the Negro race.” It took Ellington…
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Posted in Shows on Aug 19th, 2006
It’s one of the biggest states in the Union, and throughout the 20th century it was a wellspring of musical vitality, producing artists such as Ornette Coleman, Scott Joplin, Hot Lips Page, and Jimmy Giuffre…
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