Individualism: Gil Evans in the 1960s
Posted in Shows on Jun 2nd, 2008
Gil Evans, a Canadian-born pianist and composer, “enormously expanded the vocabulary of the jazz orchestra,” as writer Gene Lees pointed out, reducing the standard big-band instrumentation, restraining its vibrato, and adding flutes, oboes, English and French horns, and tubas. Self-taught as an arranger, he created a quietly dramatic, dark-hued sound-world that drew on a multiplicity of influences ranging from Spanish music and the French Impressionists to Duke Ellington and…
In 1960 Prestige’s Bob Weinstock launched a new series of records called Moodsville, as a response to the popularity of 1950s “mood music” albums, ushered in to a large extent by Jackie Gleason’s Capitol LPs featuring trumpeter Bobby Hackett. Prestige attempted to stake a somewhat higher aesthetic ground…
