Posted in Shows on Aug 25th, 2008
Jazz pianist Horace Silver, a founding father of hardbop and soul jazz and one of the most renowned figures of the post-World War II jazz scene, turns 80 on September 2, 2008. Many of his compositions, such as “Opus de Funk,” “The Preacher,” “Nica’s Dream,” and “Peace” have become jazz standards heard frequently today.
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Posted in Shows on Jul 28th, 2008
“Here were the children of the American bop night,” Jack Kerouac wrote in his 1957 novel On the Road, which, like many of Kerouac’s other writings, celebrated and invoked the music of Charlie Parker, Lester Young, and many other jazz greats. We’ll mark this weekend’s 50th anniversary of the publication of Kerouac’s best-known book with a program that explores his relationship with jazz, including recordings he made with saxophonists Al Cohn and Zoot Sims…
Posted in Shows on Jun 9th, 2008
The Birth of the Cool was a milestone in modern jazz—a handful of arrangements, compositions, recording sessions, and performances that, as historian Ted Gioia notes, “turned the jazz idiom on its head.” It extended the idea of what a jazz combo could sound like, and it provided an aesthetic head of steam for several of its creators. Recorded at the end of the 1940s by a group led by Miles Davis, these sides were obscure at first…
Posted in Shows on Dec 11th, 2007
After jazz journalist Gene Lees heard Bill Evans for the first time, he told the pianist that his recordings “sounded like love letters written to the world from some prison of the heart.” Lees was just one of many to feel such an emotional connection with Evans’ playing, which inspired a cult-like following that continues to this day. The group that he formed in 1959 with bassist Scott LaFaro and drummer Paul Motian helped set the template for the modern jazz trio, and the albums they made–particularly the live Waltz for Debby and Sunday at the Village Vanguard–have become jazz classics. But this group came to an abrupt end shortly after those albums were recorded, when…
Posted in Shows on Aug 5th, 2006
Perennially-hip jazz singer Mark Murphy got his start recording for Decca in the mid-1950s, with albums that featured arrangements by Ralph Burns. Decca producer Milt Gabler, who signed Murphy, said he thought the vocalist “every bit as good as…
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